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draussen wartet das Einschrauben-Mutterschiff Foto & Immagine di Albrecht Klöckner ᐅ Vedi e commenta gratuitamente la foto su fotocommunity. Scopri gratuitamente altre immagini.
Dank an alle Anmerker!
@Sascha: Die Dunkel-Partien-Aufhellung IST auf 90% hochgesetzt, sonst wären die Steinränder einfach nur konturlos schwarz geblieben.
@Serge: In principle you are right, but, in the situation being this just was impossible! Two persons in a small leaking (chartered) rubber dinghy + very limited equipment - I deem myself lucky to have captured this here 3D, knowing that it could have been done a lot more professional, ok?
Kneeling down in the sloppy half-flooded craft I got salt water soaked almost up to my waist, anyways.
Gruß
Albrecht
@Albrecht: I think this one would have been better (to capture the wall of the cave textures) with the use of a speedlight using the light intensity information of the outside of the cave. But I know that your goal was to synchronize the left and right shots and it would have also need the synchronization of two speedlight (more complicated than only have to synchronise two digital compact cameras). ;-)
This is the ideal gadget for that kind of photograph (with some cross-eyes stereo pictures samples):
Das ist ein toller weil räumlich unerwarteter Effekt, wie
sich der Felsen wölbt. Sehe ich da ein dezentes
Tonemapping am Rand des Felsens?
Gruß, Sascha
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Albrecht Klöckner 16/10/2007 10:24
Dank an alle Anmerker!@Sascha: Die Dunkel-Partien-Aufhellung IST auf 90% hochgesetzt, sonst wären die Steinränder einfach nur konturlos schwarz geblieben.
@Serge: In principle you are right, but, in the situation being this just was impossible! Two persons in a small leaking (chartered) rubber dinghy + very limited equipment - I deem myself lucky to have captured this here 3D, knowing that it could have been done a lot more professional, ok?
Kneeling down in the sloppy half-flooded craft I got salt water soaked almost up to my waist, anyways.
Gruß
Albrecht
Serge Côté 15/10/2007 17:44
@Albrecht: I think this one would have been better (to capture the wall of the cave textures) with the use of a speedlight using the light intensity information of the outside of the cave. But I know that your goal was to synchronize the left and right shots and it would have also need the synchronization of two speedlight (more complicated than only have to synchronise two digital compact cameras). ;-)This is the ideal gadget for that kind of photograph (with some cross-eyes stereo pictures samples):
http://www.ledametrix.com/lspro/index.html
But, I only know compatibility for Sony cameras.
This is the one I like the most from the samples:
http://www.ledametrix.com/lspro/11c.htm
What is your prefered from these samples ?
Serge
Kurt Mielke 15/10/2007 16:56
Ah ja,das ist der Zugang fürs Boot.
Schön, die Räumlichkeit mit den Schiff,
das schon um die Ecke lugt.
Gruss kurt
Jens Thomas Jensen 15/10/2007 16:46
Was ist denn Tonemapping?Das Wortspiel ist genauso gut wie das Bild!
LG von Jens
Sascha Becher 15/10/2007 12:44
Das ist ein toller weil räumlich unerwarteter Effekt, wiesich der Felsen wölbt. Sehe ich da ein dezentes
Tonemapping am Rand des Felsens?
Gruß, Sascha
Thomas Kötz 15/10/2007 10:15
Schöne Synchronität - aber ein Mutterschiff zum Einschrauben?:-)
LG
-TK-
SisX 15/10/2007 0:33
Hey...!ich hab schon nasse Füße.. :-)))